Game Critics

Posted in Home Furnishings, Local journalism, Uncategorized on August 19th, 2019
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Game CRITICIANS FUCKING SUCKS, OR now not SOME BOYS? [Critics who say yes and agree with it in other ways] You see? Even the feedback on youtube accept as true with me, And we know that the remark on youtube is the position for profound criticism, With the most wise spirits, similar to Middleschoolerconnor. But what makes this person distinctive from this? Good, this man will get paid to say silly shit the first challenge i have with gaming web sites is that their opinions are so decentralized If a couple of writers work for a website, that you may readily lose sight of who’s virtually speaking "consider free to breathe sonic fanatics, Sega has accomplished good here" "I think Sonic the Hedgehog 4 was once pretty negative" "Sonic is good once more?" "Sonic has certainly not been good" "With a few fun games" "Sonic was under no circumstances just right" "… The phases are excellent" "There are no excellent Sonic the Hedgehog video games" "right" "tremendous-particular backgrounds and great animations -" There are not any just right Sonic the Hedgehog video games "outstanding designed levels -" "Sonic is high-quality" "yet?" "sure." This year on my own, IGN has spoken to more than 37 critics when you see a video from ProJared, TotalBiscuit or AngryJoe, You instantly understand whose standpoint it is but should you select a overview from IGN, it can be like the fucking lottery it’s foremost to set up a bond between critic and viewer each review must be an extension of what the public expects how you react to video games You must also face your shortcomings as a critic For illustration, I don’t have any fucking patience. Throw an RPG my approach and i consider, nah that is means too boring but do you know what’s much more stupid than RPGs? Anime except it comes from this man, you should keep that shit far from me. But have you learnt what I hate much, rather more than anime? Turn-established fights. Relatively it makes me irritated There are only about two who figured it out and they do not depend flip-founded fights are fucking boring, tedious and tiring. The reverse of enjoyable. So once I say that Persona 5, a flip-centered anime RPG is pretty fun, you need to believe: "Fuck. Might be this sport is good" probably the stupidest, most normal comment I see is: "i stopped the video when he mentioned Bubsy sucks 3d" listen, hiya Your opinion does now not have got to have the same opinion about every game to believe it Of course The vigor of a critic is in the regularity of the voice but if you’re consistently wrong … "This is among the least entertaining platformers i’ve performed in a very long time" "it is a name of responsibility recreation" "…Refreshingly common" ""call of obligation-" that’s the second that you just come to be Armond White. (The legend of armond white) This guest is the best vinegar sugar. Each his mother and father have been white. His name is Armond White (white) Then he says "Fuck you" "i’m black." Rim Armond White the whole thing that’s excellent is dangerous and the whole lot that is unhealthy is excellent Does that make him a "vain" critic? On no account If Armond White tells you that Man of metal is the "Godfather" of superhero movies, And he calls it his movie of the yr, Then as a viewer you will have to realise ": "good enough, this is the worst movie ever made" Some movies even exceed Armond White. Then you could have a movie like Suicide Squad And it’s only a shit. If even this man who likes fucking online game films, If even HE does not love it. Then you know that you just rather did whatever fucking improper at the least it stands out like a rock So many critics sound the identical "You nearly suppose you’re Batman" "..Participant virtually feels Batman" "..Wouldn’t feel or appear like Batman anymore" "Made us suppose like" "… Feel like Batman …" IGN, what do you suppose? "Arkham Asylum makes you consider like you might be Batman" My reports are obviously now not best, but as a minimum I are attempting. Even after I add my stuff, i will be discovered in the feedback to additional the discussion Now let’s take a look at IGN’s overview of super Metroid In Metroid, you play as Metroid … A bounty hunter who shoots an alien dinosaur with a rocket 9.5 where did FUCKING store that? I will to find all that shit on the again of the field.However at least it will sound interesting there. The one content of this evaluation was once the last figure Which is most often held to a seven, eight or nine, implying that the game is excellent. Even a disaster like Mass effect Andromeda manages to get away with a seven I play quite a lot of video games and on my scale sucks most of this shit man. To be honest i might appear again on many previous years after which i’d best give you a number of decide upon video games that would nonetheless stand today.So if I supply a six I say good enough. This sport is of fine quality. That is anything valued at your time and it managed to hold me targeted unless the top I consider that many critics are too scared to precise a real opinion and i feel there are a lot of causes that affect this game media and even you tubers in this day and age have relationships and contacts with these organizations Which gives them interviews, early types and early game pics … That does not mean they are being paid off, however they will not criticize things as difficult as they will have to they are part of a circle and some of these websites are mostly funded by using commercials by sport developers which encourages very annoying developments "Mainstream" critics are so certain to play the today’s video games that their requisites are tied to what’s being completed recently after which you’ve gotten the pussy competitors for the first review on Metacritic in order that your internet site gets extra site visitors and the influence is a column with a terrible, vulnerable first impression. "The track is being made that method" "persons write a evaluation, uh … In a day" "First, you cannot take heed to and assessment an album on the same day" it’s simply not possible The great experiences are utterly subective however that does not mean that info have got to be thrown out of the window. You need to make your case firm with honest claims that no-sayers can agree with lately, Gamespot gave Crash Bandicoot’s new remaster a six. One purpose used to be unexpected alterations within the degree of situation but if Gamespot you understand that they aren’t relatively nice in platformers "New tremendous Mario Brothers Wii is a complicated game. Historic-school complex" Huh? "it’s going to scan the platformer veterans below us" "New tremendous Mario Brothers Wii is via some distance essentially the most tricky recreation" "The problem level can scare gamers off at first sight" but why is my opinion more correct than that of this man? Good, initially I played the fucking recreation! This guy came midway by way of the game and released his overview? What the fuck? It can be humorous since I suppose he is certainly correct Crash Bandicoot has a difficult handling and digital camera however it’s absolutely viable to do it unless you attain this mom-fucking turtle level. Who is dependable for this monster? This must be some of the worst stages i’ve ever encountered in a recreation. "This sport can think very ancient" "Depth operation is a main issue" "tricky to send" "The ‘physics’ do not at all times work" Dunkey: Piece is said to be turtle "touch detection can be a bit strange" "no longer as specific appropriately" When Reggie Mario developed 64 He learned that special jumps in 3D didn’t go flawed Naughty canine then again concept "fuck that shit" "Jochie, soar over that cunt turtle, but it surely will not allow you to jump a long way adequate so you do not get over the cunt bridge." there may be without doubt a steeper finding out curve than ordinary and in my opinion the sequence has been mainly graphically wonderful Crash that looks on the boulder that haunts him, a gorgeous shimmering water fall, an historical temple in the moonlight … In the event you lose, Crash doesn’t simply disappear. He gets burned fucking. He’s crushed fucking by a giant rock and completely destroyed Pig throws him off and he breaks his backbone BOEM! And changes into a pancake Falls in the water and freezes to dying he’s fucking killed in this game, man whilst you ultimately reach that insane stage, Crash’s face speaks volumes It just says * observe * best job1 but you could have one, two, Three, four, five, six, seven, eight, 9, ten, eleven … 21! 22! 23! 24! Fifty seven! Fifty eight! 59! 60! Sixty one- 94, ninety five, ninety six, ninety seven, 98. But aside from that, well executed The presentation is best and the critics have surely noticed that but what is more predominant for a sport like this, the way it feels or what it appears like? Which brings me to my ultimate factor: focus Do you keep in mind when this video was once about recreation critics? That used to be considering the fact that I lost focal point pressing. Surroundings. Variant and replayability that is what I find priceless in a recreation When the tune sucks …. If the extent has no proposal and regularly comes to a discontinue, then the sport just isn’t fun "If it can be not fun, why waste your time on it?" I see various reports the place the text does not fit the conclusion. "the brand new super Mario Brothers series in general seems like a drained try to be ‘casual’ "it is this type of disgrace that it does no longer make highest use of the picture or musical capacities" "just a little of a shame. Spirit-killing, typical, jolly song" "enjoying with friends remains to be a chaotic mess." "When Mario U goes to do intriguing matters, it is over" Fuck, he need to hate this very so much What the fuck? "It has something for all people" .

What Is The Future Of Local Journalism?

Posted in Local journalism on April 26th, 2016

Austin Beutner is the former Publisher and CEO of the Los Angeles Times and the San Diego Union-Tribune. He was dismissed this month by the Times’ parent company, Tribune Publishing, in a management dispute. He served as first deputy mayor and jobs czar under L.A. Mayor Antonio Villaraigosa, and founded Vision to Learn, a nonprofit that provides free eyeglasses to children in low-income communities in California, Delaware, and Hawaii. The opinions expressed in this commentary are his.

(CNN)Veteran reporter Bob Schieffer was recently asked what he thought posed the greatest threat to the future of journalism. His answer, surprisingly, was not the hostage-taking of journalists by ISIS in Syria or the polarizing programming on Fox News or MSNBC, but the death of local journalism.

He said that, “unless some entity comes along and does what local newspapers have been doing all these years, we’re gonna have corruption at a level we’ve never experienced. … So many papers now can’t afford to have a beat reporter. … To cover city hall, you have to be there every day and … know the overall story, not just report what happens on a particular day.”

Austin Beutner

I agree. Without the beat reporters who know the ins-and-outs of the stories and communities they live in, local readers will lose important coverage. But I disagree when he says we need a new entity to come along to replace or centralize local papers. That view overlooks the broader role that local papers now play in connecting their hometown communities to the world around them.
In California, for example, Dodgers fans don’t only live in Los Angeles. Diners in Santa Monica restaurants, shoppers in stores on Rodeo Drive, concertgoers at Staples Center and home buyers in San Marino aren’t all local residents; many of them are tourists from China and elsewhere in the world. And, for every Angeleno interested in national education policy, there’s someone elsewhere in the nation who wants to know what is actually happening at schools in L.A.
Interest in the stories of Los Angeles and California extends far beyond the physical boundaries of our community. And, the interests of those who live within those physical boundaries extend beyond the stories of Los Angeles and California.
We exist in interest communities just as much as we exist in our geographic communities — our newspapers should too.
People now curate their own virtual publication from a variety sources. But, we have lost something of the newspaper experience along the way: Stories no longer find us. An average newspaper reader spends about a half-hour with a print paper. They open it for baseball scores, or analysis on the presidential debates — and they find it. They also find a wonderful story about Mark Bradford, an artist in their community, or a hard-hitting piece on corruption in Bell, a city in Los Angeles County. There’s a serendipity to print journalism that has not been replicated online.
Online, an average reader spends less than 10 minutes with any one source and they read fewer stories. If they read a story about the drought in California they can be directed to another story about the drought in California. But if they want variety they’ll have to look for it; it won’t come to them as easily. A reader can’t search for “expand my world” or “an interesting story to talk about at dinner.” The online experience doesn’t yet serve the reader — or the advertiser — as well as it could.
As Bob Schieffer noted, the need for local journalism has never been called into question. But these papers have to adapt to this new reality and change, rather dramatically, how they do business.
Cost-cutting alone is not a path to survival in the face of continued declines in print revenue and fierce competition in the digital world. New sources of revenue will have to be developed and no single one will be the answer.
Newspapers must recognize that their strength lies in high-quality content developed by world-class journalists who have the tools they need to be successful. Successful digital media organizations will have fewer managers and corporate executives, and choose instead to invest in journalists and technologists.
If local papers unbundle their coverage, they can extend beyond their physical community to countless virtual communities and find a new way to succeed. My vision for the future of my hometown paper was one where our stories were read in Los Angeles and around the world, on every platform, by anyone who had an interest.
It’s a vision that involves taking calculated business risks, not with the quality of the journalism, but with everything else. It’s a vision that requires patience and investment to build these new revenue streams. That could mean publishing restaurant reviews in Mandarin or finding new platforms for distribution.
When the Los Angeles Times covered the Mayweather-Pacquaio fight, we created a guide titled “The Fight of the Century,” and published it on Flipboard in English, Spanish, and Tagalog. It was viewed by a million people around the world — many times the Times’ website viewership on the fight.
When we started building our digital house, we knew the foundation needed to be the story of the community in which we lived. We created Essential California, an email newsletter to share the pulse of California. We gained nearly 100,000 subscribers in just a few months. We built newsletters for other communities of interest, including restaurant critic Jonathan Gold and food, political editor Christina Bellantoni and California politics, and many others.
The high percentage of subscribers who read these newsletters each day showed we were meeting the changing needs of our readers. Equally important, we showed the business model could work — creating a high-value, targeted community advertisers could reach with more than just banner ads.
Using the convening power a local paper holds, we produced events for our community. In our conversation about the drought, Gov. Jerry Brown had a platform to answer questions with more than a 20-second soundbite, our most engaged subscribers got to witness history, our sponsors invested in a connection with the audience, a TV audience of 1 million households across California learned about a complicated policy issue, and the Times created content for print and the web which was read by more than 1.5 million customers.
Quality journalism must be at the heart of any local paper. Owning the conversation in Los Angeles about issues in our community and how it connects to the rest of the world started a virtuous circle. As we began to re-engage the community, the community began to re-engage with the Times — as subscribers and advertisers.
For a newspaper to regain its business standing, it has to regain its community. Smarter and deeper journalism combined with community involvement will lead to new revenue streams.
That is the future of local journalism — high-quality journalism that engages the community, reaches interested readers everywhere, and generates the revenue to support the enterprise.  bamboo sheets

Shopped For Luxury Bedding, Lately?

Posted in Home Furnishings on April 25th, 2016

There are a number of choices to be made in thde luxury bed sheets department lately. You have quite a choice to make. What are the choices?  There’s cotton, silk, linen, artificial fabrics and bamboo. As a writer who covers home furnishings, I have been educated on all of the above, and, all are nice products. There is an obvious difference between cheap cotton fabric and the their more refined, high thread count cousins. The difference is in both comfort and expense. Silk makes great sheets, very sensuous. Imagine all those worms, eating mulberry leaves and  weaving away to make a good night’s sleep for their keepers. The sheets feel great, though they slide off the bed a lot, but they will keep you up at night, remebering what you paid for them.  Linen is another choice, made from the flax plant, laborious to produce, works well in hot weather, the oldest of the textiles, linen has been produced for thousands of years. And finally bamboo. who would think that fine luxury bed sheets could be produced from bamboo? This is without a doubt the best bargain in the luxury bedding department, smooth as silk, great in hot weather, perfect for menopausal users, stays on the bed and doesn’t cost that much. I’d recommend bamboo sheets as the logical choice in luxury bed sheets. Here’s a source for your research:  Bamboo For Life at http://bambooforlife.com . Happy Sleeping!

What is Village Soup?

Posted in Local journalism on April 23rd, 2016

Village Soup’s hot pursuit of a hyperlocal model goes cold
The Maine online/print hybrid was acclaimed for its revenue model and a Knight News Challenge winner, but in the end, it couldn’t keep the doors open.
By Adrienne LaFrance @adriennelaf March 13, 2012, 3:30 p.m.
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It wasn’t that long ago that Maine’s Village Soup was being lauded as a model for what a print/online hybrid strategy for local journalism could look like. That optimism took a big hit late Friday with the abrupt closure of Village NetMedia’s newspapers and their related websites.

Fifty-six Village Soup staffers got word on Friday evening, via email, that the Bar Harbor Times, Capital Weekly, Village Soup Gazette, Village Soup Journal and the Scene would immediately cease operations. The papers’ websites had been taken down and replaced with a message from Village Soup owner Richard M. Anderson about how “profound changes in the newspaper publishing business, a weak economy and our investment in new products created severe financial challenges” that made survival impossible. Employees were told that a deal that could have saved the papers — some of which were launched in the 1820s — had unraveled.

“[Anderson] got the word at the close of banking hours on Friday that this negotiation was not going to proceed, and I imagine he probably spent the next couple of hours trying to figure out how to tell us,” Shlomit Auciello, a former reporter and photographer for Village Soup Gazette, told me. “We are a little bit of a petri dish here right now.”

Anderson didn’t respond to my attempts at an interview. (His blog, Sustainable Journalism, was last updated in September.) But yesterday the Bangor Daily News found Anderson and quoted him saying he felt awful about the closure, adding, “Nobody did anything wrong.”

In the latter part of the last decade, he was a frequent speaker at future-of-news conferences, promoting the Village Soup model, which relied on getting local advertisers to pay for the right to post press releases and other messages alongside news content, along with a heavy focus on aggregating citizen content. Village Soup’s peak moment probably came in 2007, when it received a $885,000 Knight News Challenge grant to create an open source version of Village Soup’s underlying software.

Online origins

Anderson began his experiment in local news in the late 1990s, when he launched a website that would eventually become VillageSoup.com. The idea was to facilitate online interaction between members of the community, including giving advertisers a way to interact directly with potential customers. Here’s how Anderson explained it in a 2007 piece for Nieman Reports:

If we didn’t get their buy-in and support, we knew we wouldn’t have a sustainable way to share news and information for people who live in these places. So we created browser-based tools to help the business people answer simple, frequently asked questions, such as: What are your specials today? What waterfront property is on the market? What are your business hours? Are you available?

Gary Kebbel, now journalism dean at the University of Nebraska, was Knight’s journalism program director at the time of its grant. He says Anderson was way ahead of his time even in 2007. “In terms of the development of online community and social media, 2007 is like 1990. It was just so long ago,” Kebbel said. “The grant was made based on the fact that Village Soup had a business model that we hadn’t seen anybody else have.”

It was a time when “hyperlocal was sort of the ‘in’ word,” he said. “They were very local and close to their community, so we thought they would also have particular expertise in advertising. That’s still the Holy Grail that has not been found: How do online news sites get community advertisers?”

Anderson’s model also involved taking advantage of print. First, that meant creating two print newspapers to republish some of the material produced by Village Soup websites in Maine. Then, in 2008, he purchased six struggling weekly newspapers in the region to put more of the ad market under one roof. As he told CJR in 2010: “Print plays a very important role. It does something for advertisers that online will never do. And print does something for readers that is going to be hard for online to ever do.” Whatever the motive, the timing was terrible, buying flailing weeklies on the eve of the recession. But at least one Maine journalist, Down East magazine’s Al Diamon, has doubts there was ever much of a business there: “In retrospect, Anderson’s ever-changing vision of what he wanted to accomplish never coalesced into a viable business plan. Managing by mercurial changes rarely results in progress, no matter what the economy looks like.”

Kebbel says he’s not sure whether anyone actually used the open source software that Village Soup produced with the grant money. (It was last updated in 2009; the most recent release has been downloaded less than 200 times.) But Kebbel praised the company for finding an additional revenue stream by also offering a premium iteration of the platform. A Village Soup website lists nine sites that use the premium service. The publisher of one such site, Delaware’s Cape Gazette, says the “folks at Village Soup” had assured him that the service would continue, even with the closure of the Maine newspapers. “My understanding is that it’s not going to affect the outlets that are using the Village Soup platform,” Dennis Forney said. “They tell me that I shouldn’t worry about our platform, and so far I’m taking it at face value.”
Filling the news hole

In the statement he posted online, Anderson says he’s “confident that others will step forward” to fill that void that Village Soup leaves behind in Maine. And it appears that’s already started to happen.

Nathan Greenleaf, the owner of a Maine-based commercial refrigeration company, launched a website called Pen Bay Today on Sunday as a way to help the community “move forward” post-Soup. He says the site has had more than 14,000 hits since it went live (and is quoting Shakespeare to rally support). Greenleaf told me he’s willing to invest about $35,000 in the project, but that his understanding of journalism comes primarily from “noir books and movies.” He’s hoping to find reporters who will “work for nothing” at first.

And it appears the president of another Midcoast Maine weekly newspaper will purchase Village NetMedia’s assets and revive most of them. Reade Brower, founder and president of The Free Press, has signed a letter of intent and tells the Bangor Daily News he plans to revive two of the newspapers as soon as next week, closing the others.

Sponsors

Posted in Home Furnishings on April 23rd, 2016

This site is sponsored by http://bambooquest.com. Thanks for the help!

What Is Journalism?

Posted in Local journalism on April 23rd, 2016

Journalism Defined:

Noun:

1.

the occupation of reporting, writing, editing, photographing, or broadcasting news or of conducting any news organization as a business.

2.

press1(def 31).

3.

a course of study preparing students for careers in reporting, writing, and editing for newspapers and magazines.

4.

writing that reflects superficial thought and research, a popular slant, and hurried composition, conceived of as exemplifying topical newspaper or popular magazine writing as distinguished from scholarly writing:

He calls himself a historian, but his books are mere journalism.

Broadcast Journalist.

Broadcast Journalist.

Noun:

1.

the profession or practice of reporting about, photographing, or editing news stories for one of the mass media

2.

newspapers and magazines collectively; the press

3.

the material published in a newspaper, magazine, etc: this is badly written journalism

4.

news reports presented factually without analysis

Word Origin and History for journalism

n.

1821, regarded as a French word at first, from French journalisme (1781), from journal (see journal ).

Journalism will kill you, but it will keep you alive while you’re at it. [Horace Greely (1811-1872), U.S. journalist]

Journalese “language typical of newspaper articles or headlines” is from 1882.

Journalist's typewriter

Journalist’s typewriter

Where men are insulated they are easily oppressed; when roads become good, and intercourse is easy, their force is increased more than a hundred fold: when, without personal communication, their opinions can be interchanged, and the people thus become one mass, breathing one breath and one spirit, their might increases in a ratio of which it is difficult to find the measure or the limit. Journalism does this office …. [“New Monthly Magazine,” London, 1831]


[Géo] London was in western France covering the trial of a parricide that began in mid-afternoon. Because he had an early deadline, he telephoned a story that he was certain would take place: an angry crowd cursing the accused as he was marched to the courthouse from his holding cell at the police station. London then relaxed over lunch until he saw with dismay the guards and the prisoner coming but “not even the shadow of a gawker.” His reputation at stake, he stalked to the door, cried out, “Kill him!” and returned to his table. [Benjamin F. Martin, “France in 1938″]