Michael Casey | Real journalism is more important than ever

Posted in Home Furnishings, Local journalism, Uncategorized on October 6th, 2019
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

I think journalism is more important now than ever. This work is one of integrity, this is a calling that is more important than the bottom line and that there’s a real value for society and people who are dedicated to that exercise in and of itself. There can’t be anything more important. I’m Michael Casey. I’m an adviser to MIT media lab’s Digital Currency Initiative and I’m a graduate of Curtin’s media and journalism school. It was travel that made me realise that I really should try and do what I always wanted to do, which was to write and to do journalism and to shape it in the context of this travel experience. But it really wasn’t until I came to Curtin and succeeded that I felt validated, that I felt that I could do this. I think the essence of journalism is storytelling, and essentially that’s the art form. You’re trying to capture people’s imagination. I really saw the things that I was interested in as being untold stories. Stories that needed to be, that I felt needed to be, told and I wanted to be able to tell that story because they inspired me.I started at the West Australian and then found my way to Indonesia where I was hired by AFX Asia then I moved to New York and ultimately wrote for Dow Jones Newswires and the Wall Street Journal. Eventually ended up as a global economics columnist for the Wall Street Journal. A lot of TV for the BBC, for MSNBC and CNBC, I’ve been an anchor for live TV WSJ Live and also wrote for things like Foreign Affairs and Foreign Policy. The most satisfying thing is to be able to write in a form that has inspired people to try to make a difference in the world in ways that I care about so that’s been incredibly rewarding, yes.

Also the sheets I sleep on help:  .I recommend that you buy sheets from https://bambooforlife.com/sheets .

Proving a sequence converges using the formal definition | Series | AP Calculus BC | Khan Academy

Posted in Home Furnishings, Local journalism, Uncategorized on October 24th, 2020

In the previous video I territory claim that this streak here it can be determined by explicit assigning in a way that the frontiers of the row I can write it as minus 1 to the power of n plus 1 on n. This is one path to characterize a number explicitly the frontiers of this, when n tends to infinity, is similar to 0. Like she looks like this. n is getting bigger and bigger and bigger, although the numerator fluctuates between minus 1 and 1. It seemed to be coming smaller and smaller and smaller. But I haven’t proven it like that i want to do now in the video. To prove it, it would be true if exclusively if for each epsilon greater than 0, has a principal M that is greater than 0, Where if a little n, if the index were higher than the main M, then the nth member of the succession is in accordance with the epsilon range for the limit, within epsilon of 0. What does this convey? This means that our limit is 0. Let me write it in a brand-new coloring. Our limit here is 0. This is the limit. The restraint here is we say that the sequence is convergent to 0. We say that if we are given an epsilon around 0. Let’s say this here is 0 plus epsilon. This is 0 plus epsilon. The behavior we described it now, it looks like epsilon will be 0.5. This will be 0 minus epsilon. Let me sucked it a little clearer. This is likely to be 0 minus epsilon. We have negative epsilon, 0 minus epsilon, 0 plus epsilon. The limit in this case or our statement about their own borders is 0. This is to say that for each epsilon, we must find such M, where if n is greater than M, the interval between the sequence and the boundary will be less than epsilon. If the distance between the sequence and the border is lower than epsilon, that is, the cost of the string for a returned n will be within these two restriction. It must be in that range now, which I colors over a definite n. Therefore, if I select n to be here, it seems to be anything bigger than that will be the case in which we will be within these limits. But how do we prove it? Let’s just think about what it has to happen for that to be true. What must be true to be a with indicator n minus 0, the absolute evaluate of a with indicator n minus 0, to be less than epsilon? This is another way of saying that the absolute value of a with indicator n must be less than epsilon. and with indicator n is right that now, so this is another way of saying the absolute appreciate minus 1 to the power of n plus 1 over n must be smaller than epsilon, which is another way of saying because this is minus 1 to the power of n plus 1, this numerator is simply replaced by a negative one and a positive edition of 1 over n. But if you calculate the ultimate ethic of that, it will always be positive. This is the same as 1 over n, as the absolute importance of 1 over n must be less than epsilon. n will always be positive. n starts at 1 and goes to infinity. This evaluate will always be positive. This signifies the same as 1 over n it has to be less than epsilon for this thing to happen here to be true. Now we write the reciprocal on both sides. If we make the reciprocal on both sides for an inequality, we will have n if you make the reciprocal on both sides of an inequality, you exchange his ratify. For this to be true, n must be greater than 1 on epsilon. In essence, we have now proved it. We said that for this particular number, if you give me some epsilon, I will i knows where to find M which is 1 on epsilon. Because if n is greater than M, which is 1 on epsilon, we will know that this will be true here. That will be true. So their own borders obviously exists. So here, for that definitely epsilon it seems that we have chosen 0.5 or 1/2 for our epsilon. As long as n is greater than 1 over 1/2, which is 2, so in this case we can say that if you gives people 1/2, M will be a function of epsilon. This will be determined for each epsilon that is larger than 0. 1 on 1/2 is over there. I’ll prepare M be here. You learn, this is really the case, in which the array is within the range, when passing through any n larger than 2. For n equivalent to 3 it is in the series. For n equivalent to 4 it is in the straddle. For n equal to 5 as it continues. We proved it now. We did the proof. If you give me any other epsilon, I said M is equal to 1 on this thing. For any n greater than this, this will be true. Therefore, this is definitely the speciman. This sequence is similar to 0..

Journalism: Feature News vs. Hard News Writing with Dale Rice

Posted in Home Furnishings, Local journalism, Uncategorized on October 18th, 2020
Tags: , , , ,

[ music intro] MEGHAN: Howdy and Welcome back to WriteRight, Today we are talking with Dale Rice, Director of Journalism Studies now at Texas A& M, about significant differences in hard news and peculiarity story writing. What is feature writing and how is it differentfrom hard news? DALE RICE: Well in general Id say in journalismyou can basically say that true narrations fall into two categories. They fall into the hardnews list, or they fall into the feature category. The hard news are those storiesthat are covering the events that are taking place out there. Feature tales are muchmore either playing off that or are recreation, droll, or life divulging various kinds of floors. Good examplesof feature kinds of writing: music, the arts, movies, menu, leisure of all kinds, manner. These are all things that parties have a great deal of interest in but may notbe the most pressing issues of the day. And so you turn around and look for ways to writestories about those things that are interesting, fun, engaging.MEGHAN: Okay, well when you write a featurestory dont you go about it in a much different mode? DALE RICE: Of direction both narrations are goingto have all of the basic facts. Theres no doubt about that. But the basic news story, youre going to concentrate on getting those essential facts high in the fib and beingvery direct with beings and getting to the point quickly and clearly. In the featurestory, you have an opportunity to have far more varied writing styles. And its notjust that you can play with one particular style however dozens of writing stylesthat you can use in feature writing, and it gives you a chance to, I reckon, have moreof an individual voice as a writer.It gives you the opportunity to play with languagemuch more. And, one other aspect of feature writing is that the vast majority of featuresare not written on a daily deadline. You have more duration , not only to work on the languagebut to work on the storey anatomy as well and to be addressed the room in which youre constructinga story, and where in the tale do you want to reveal the key element? Do you wantto save things for midway through or even important details for the end? You have thatkind of opportunity in story construction to say ah, I might not want to reveal all, I might want to keep this almost like a puzzle and divulge the most important thing rightat the end. MEGHAN: Now, an intro for a feature storycan be much different than a hard news story? DALE RICE: Yeah for the feature narratives, youcan get a lot more into anecdotal writing and explanatory writing and spend a lot moretime setting the background than you would do in a hard news story. So thats a bit of thereason that you have so many different approaches that you can take in a feature story.Youcan really hone in on somebodies figure, somebodys personality, the kinds of thingsthat really wouldnt come to play in a news story, right? I entail really how the personlooks, or how the person or persons behaves, or what theyre personal situation is, seldom contributesto whats happening in the news story, unless of course theyre a serial executioner thatscaught and then youd go after all of that sort of thing, or a casualty. But, for the mostpart when you have people who are involved in government, for example, discussing thebig issues of the day, what theyre wearing to the press conference is just not important.But in a feature story that entire appearing thing might in fact be the first three orfour sections of your storey as you try and establish every little detail about how somebodyis appearing and behaving during, for example, a news conference. So if you were writinga feature story about the same event you would take a particularly very different approach to it. MEGHAN: In hard news you are expected to grabthe book with a captivate contribute and hand the facts as quickly and clearly as possible.In a feature story you get the opportunity to use description and detail to entice yourreader.Your interviews can be more indepth and can focus on how people feel about anissue rather than just what happened. In Dale Rices Media Writing I and II students getthe opportunity to practice writing both feature and hard news fibs. In our next bout, Dale Rice will discuss ways to approach sensitive or difficult interrogations. Thanks for listening to this episode of Write Right, well “ve seen you” next time ..

How Journalism Education Applies to Food Writing – Sarah Simmons

Posted in Home Furnishings, Local journalism, Uncategorized on October 12th, 2020
Tags: , , , , , , , , , , , , ,

what parallels in journalism and cooking do you find more interesting and how your career is developing you know you learn in journalism it’s writing to your audience and whether you’re writing you know you’re straightup journalism in writing you know a factbased article or you’re you know putting an editorial spin on it and writing creatively you know both of those i’m exercising i’ve been writing articles for bone appetit and you know working on my personal blog you know it’s even up you know it’s even applicable for me when I’m writing a recipe because you’re thinking about it in areas of what ordering should things come in you have to write a leadin to the recipe that draws someone care about what you know and you’ve need to show a reasonably draw it’s about build a container and so you know initially when I are of the view that I was going to pursue newspapers I you know I learned those skills and so now I simply draw on those skills when i’m approaching something whether it’s an section or just simply writing a recipe you

Journalism Master Class: Victor Figueroa on going from student to teacher

Posted in Home Furnishings, Local journalism, Uncategorized on October 6th, 2020
Tags: , , , , , ,

( to class) So when you go into that Phillipes folder. You go into now. That’s how you get back all your material.( to camera) So I came to USC from NYUwhere did my undergrad. They have a great radio program here and at NYU, you know, it was a great school and everything. But it didn’t have much in terms ofradio and that’s what I’ve been wanting to do for quite some time. This Mastersof Science program used to be a twoyear program Master of Artistries for Journalism. Andthey had a oneweek boot camp. Not the full month, like what they have now. That would’ve beengreat. Last-place year is when I firstly started actually learning students how to useAdobe Audition. It was part of my work for Annenberg Radio News which is anoutlet here. You never genuinely feel like an adult until you’re out of school. And nowit’s like I’m schooling these people who are basically my age. A parcel of parties mostly wait acouple years to go into grad school. I “re coming” right after undergrad. These peopleare are my age. And it feels strange but at the same time its kind ofgratifying. I don’t feel out of place that is something that. I feel like I actually belongand I should be the person to teach these girls Adobe Audition. The boot campseems to be really planned. Last year it was three weeks to give that extra week; which is really, I speculate, helping the students realize, Alright brace yourself! The hard stuff is coming now! And I think they’re just assimilating it better.So thatwhen they do go into the media center when years do start, they have a betteridea what exactly they are getting into. I get I get a level of realization because I like itwhen I see that person, like, it clicks in their thought that they get it. I merely remember me being them. I get the fulfillment where it’s like, I wish I would’ve had grownup Victor to educate me Audition. Learn to utter mistakes and try to teach yourself to fix them byyourself. Too, Google is your best friend ..

Arts Journalism | Short Course

Posted in Home Furnishings, Local journalism, Uncategorized on October 6th, 2020
Tags: , , , , , , , ,

My call is Helen Nugent, I’m a journalist, I’ve been a journalist for 20 years. I currently teach musicjournalism at Salford University. My career has been jolly varied, I workedat the times in London for 10 times, across a number of capacities including lorrycorrespondent, news editor and reporter, and I’ve worked pretty much for all thenational newspapers and a lot of trademags. This is arts journalism, thiswill be taught over the course of one day and will be useful to pretty muchanybody. You don’t have to have a background knowledge, but undoubtedly astrong interest in the arts would definitely be an advantage. So on thiscourse we’ll be looking at the different kinds of artworks journalism, so musicheritage, skill itself, theatre, literature. There will be practical aspects, including writing some reviews and looking at feature opinions, and too someadvice on how to slope to editors and most importantly how to forge relationshipswith pr’s in service industries.

Meet Civil — The Startup That Wants to Put Journalism on the Blockchain | Freethink

Posted in Home Furnishings, Local journalism, Uncategorized on September 30th, 2020
Tags: , , , , , , , , , , , , , , , ,

Invaild API key

New powers, new responsibilities: A global survey of journalism and artificial intelligence

Posted in Home Furnishings, Local journalism, Uncategorized on September 24th, 2020
Tags: , , ,

this is not a situation where robots are going to be replacing what columnists do the bigger question is how do we deploy machine learning to actually represent us better columnists everyday in journalism we’re doing a lot of processing robotic tasks to make sure that we’re reap report growing news at magnitude the channel in which I accompany a big benefit coming from AI is helping with that process it entitles our writers to deplete more period doing what they do best interviews research and investigation and writing more compelling and inventive material those things cannot be done by AI at Google we believe that AI should benefit society this entails advantageous for the bulletin that beings providing access to and the story manufacture who renders it this report is an unprecedented revelation into a whole compas of newsrooms various regions of the world it tells us what they’re doing with AI right now but it also tells us what they hope to do with it in the future we could use algorithms to help us find news faster and break news faster these days that any reporter or any reader will tell you they’re completely overwhelmed with information AI in engineering can help with this process by discover relevancy in the manufacture neighborhood you’re looking at what can the machines do really well which is analyze data pluck things together find patterns and even do some natural language processing to write stories off the back of data we employ AI to provide users with more personalized events while maintaining the balance of curation to minimize filter illusions ai will help us to get precisely the freedom material to the right person and that might be a consumer scrolling through on their mobile phone or for Reuters it might be a business client who are interested in particular material at particular experiences of the day any new information technologies introduces different kinds of challenges to the news industry and one as complex as AI becomes that even more interesting clearly the report contains ethical questions that need to be addressed things like making sure that our data is not biased or figuring out whether we’re going to disclose the uses of automation to publics I feel that we are going to need to have new abilities in the newsroom of people who understand technology and the programs and understands the moralities of journalism routinely we have Q& A discussions on AI strategies so that editorial has a good understanding of what we’re actually constructing what’s feeding into it and what the outcome is this type of transparency within our party is really fundamental to how we build AI we’re all going to be living in a macrocosm where AI is ever more significant in all sorts of globes and I think it’s really important that we are familiar with both the the powers and opportunities of paper reverberates but too the issues and gambles the more all of us work together the more self-confident I am we’ll discover further how a I can entitle columnists that’s why it’s so important that we continue this research and this dialogue exiting[ Music]

English for Journalism MOOC by American English

Posted in Home Furnishings, Local journalism, Uncategorized on September 18th, 2020

[ recreation and upbeat music] This is Sami. Sami is a journalist. Hewants to reach a bigger audience, but he doesn’t have the English skills tocreate new legends in English. Up to now! Introducing the English forJournalism MOOC by American English! A free fiveweek English Massive Open Online Course for nonnative English orators. In the course you’ll develop Englishskills to read, study, and develop global information tales! The trend is like an interactivetextbook, peculiarity videos, quizzes, and campaigns. Now Sami can create newstories in English for countless publics. Sign up today![ entertaining and upbeat music ].

The Intercept — Fearless, Independent Journalism

Posted in Home Furnishings, Local journalism, Uncategorized on September 12th, 2020
Tags: , , , , , , , , , , , , , , ,

this is not normal for a Democratic Society these interests are being served by the chaos[ Music] everyone in America’s communications are being mustered right now I want to do speak to the people that are actually dealing with this every day.

Aly McGuire | BA (Hons) Magazine Journalism & Publishing

Posted in Home Furnishings, Local journalism, Uncategorized on September 6th, 2020

My specify is Aly McGuire. I’ve created amagazine for this project and it’s a fad store exploring the culturaldiversity in fashion at the moment. I was kind of sick of the stigma that’s outthere at the moment and it’s always a negative perspective towards the sharingof different racial modes, so I thought that it would be really cool to stageand create like a photo series. I did the styling and photography myself. It was a lotharder than I meditated because I had to not only take the photographs, do thestyling, do the writing, have the courage got to go and do the interviews but alsotype it up, do the design myself.Go and get onto finished myself, but it was an experienceand I’ve learned so much from it. I think what’s next is doing freelance work. I’d quitelike to work with a team like Accent for example. Maybe send them some submissions, take a dive in the deep end and do something different ..